Scot Facer Proctor

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Plate 1 - Bethlehem in Early Spring

It was a day I shall never forget. We arrived on the hill overlooking Bethlehem while it was yet dark. What would it have been like the day Jesus was born? Snowy, wintry paradigms would soon melt away with the rising of the sun.

The beautiful hillside was covered with new red poppies. The greens were vibrant and fresh. In the distance a donkey started braying and here and there a dog was barking. The rooster started crowing and the land began to awaken. Nearby a flock of bleating, spring lambs could be heard. The ancient wall before us seemed to frame old Bethlehem. The date was April 6th, the true birthday of Jesus.

Years later this would become the photograph of Bethlehem used in the Church's publication of the scriptures.
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Plate 2 - Poppies in Abundance

Jesus's mortal life was relatively short; his ministry was but forty-two months. During that significant period He spent a good portion of His time in the Galilee, a region of Israel that is mostly below sea level.

These bright red poppies were photographed in the Galilee in the heart of the places Jesus knew so well. Their vibrant color always reminds me of the blood of Christ and Him crucified.

They bring to mind one of my favorite passages from Isaiah: "For he shall grow up before him as a tender plant, and as a root out of a dry ground: he hath no form nor comeliness; and when we shall see him, there is no beauty that we should desire him. He is despised and rejected of men; a man of sorrows, and acquainted with grief: and we hid as it were our faces from him; he was despised, and we esteemed him not.

"Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed."
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Plate 3 - Poppy Mix Judean Wilderness

This beautiful mix of a variety of flowers would brighten any home, but even more so to know where it was taken.

We spent 56 days on a Middle East photo shoot during Israel's wettest year in recorded history: 1992. Everything was different that year. The hillsides were green and covered with flowers even in the otherwise dry, desert locations.

This shot was taken in the wilderness of Judaea somewhere near the area where John the Baptist was preaching the gospel of repentance. "What went ye out into the wilderness to see? A reed shaken with the wind? But what went ye out for to see? A man clothed in soft raiment? behold, they that wear soft clothing are in kings’ houses.

"But what went ye out for to see? A prophet? yea, I say unto you, and more than a prophet. For this is he, of whom it is written, Behold, I send my messenger before thy face, which shall prepare thy way before thee."

We love the Lord because He can make of our dry, barren wilderness a fruitful garden.

I always pictured John preaching in an arid, desert place, but what if they had had a very wet year during his ministry?
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Plate 4 - Glorious Morning Hallelujah

No one knows for sure the actual tomb where Jesus Christ was resurrected, but this Garden Tomb, just outside the city walls of Jerusalem, certainly fits the description given in the scriptural accounts.

By special arrangements we were able to enter this sacred site long before sunrise one spring morning. It was amazing to carefully watch the early light as it began to change the colors and tones of the bedrock before us. I could not stop taking pictures. But then the morning rays began to filter through the trees as the sun rose from behind the Mount of Olives. It was within the first two minutes of that light this picture was captured.

I thought of Mary Magdalene as she was confused and sorrowing by the empty tomb. Perhaps somewhere in the purview of this photograph, she and the resurrected Savior met. "Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away. Jesus saith unto her, Mary. She turned herself, and saith unto him, Rabboni; which is to say, Master."

Mary was the first witness of the resurrected Lord. He truly lives Who once was dead!
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Plate 5 - The Lost is Found

My wife and I hired a cast of natives in Israel to depict some scenes from the life of the Savior. We so wanted to capture the feeling from Luke Chapter 15: "What man of you, having an hundred sheep, if he lose one of them, doth not leave the ninety and nine in the wilderness, and go after that which is lost, until he find it?"

We were very familiar with this verse but as we were shooting I noticed two things from the story: 1) The Lord refers to a sheep, not a lamb, and 2) He doesn't hold it to His bosom, as we might imagine, he lays it on His shoulders. "And when he hath found it, he layeth it on his shoulders, rejoicing."

I loved how the Shepherd in the scriptural account could not contain His rejoicing: "And when he cometh home, he calleth together his friends and neighbours, saying unto them, Rejoice with me; for I have found my sheep which was lost."

This was a very difficult shot. Adult sheep are very heavy and want to get away from a stranger at all costs. It took four strong men to get the sheep up onto the man playing the part of Jesus. Our direction was simply, "Show us how you think the Lord would have felt bringing one back who was lost."

Our amazing actor here is 28 years old and he was born and raised in Nazareth.
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Plate 6 - Fishers of Men Series 1

It was a perfect, golden-light morning on the Sea of Galilee that day. Our dear friend (who knows practically everyone in Israel) had arranged for a local fisherman to arrive at the shore by our hotel before sunrise. These things never seem to go quite as planned—but—it was 5:45 AM and around the corner came our fisherman. I wanted to take a lot of shots of him just fishing, but I wanted to capture him and his boat and nets looking into the rising sun over the Galilee. I needed to be out with him, but I could not be in the boat. There was the rub: I had not arranged for another boat to follow the fisherman from a distance. A man who was staying in our hotel gestured (no English) that he would be glad to row me around out there. Where was his boat? The eastern sky was pregnant with that pre-delivery glow of light. He pointed to a small, no, a very small item that was more like a large apple crate or a small bathtub, than a boat. I didn’t have any choice. We both climbed in and with our combined weight the sides of “the boat” were nearly to the water’s level. Notwithstanding, my oarsman rowed me out towards the fisherman, but on the wrong side. He thought I wanted the light to be shining on him with my back to the rising sun. I signaled in fast and swirling hand motions to turn around and I made the international symbol for shooting into the sun to create a silhouette—whatever that is. He got it. Within 30 minutes I had taken more than 600 shots. The scene was stunning. The images were magical. In this particular shot I wanted to capture the gentle motion of the oar as it slid into the water and splashed the warm water into the glowing sunlight. The fisherman was rowing in a circle and dropping his nets as he did so. This angle and moment perfectly captured what I had desired.

From these same waters, Jesus not only called James and John, Peter and Andrew, but here He would also walk.
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Plate 7 - Fishers of Men Series 2

To get the sense of this series of photographs called Fishers of Men, please start by reading the description of Series 1.

This shot gave me the sense of the Savior coming that day to the shores of this very Sea of Galilee and calling out to the fisherman:

“And he saith unto them, I am he of whom it is written by the prophets; follow me, and I will make you fishers of men.” I find that call so thrilling and I love the response: “They straightway left their nets and followed him.” There was no hesitation, no questions, no pause or wondering. The call of a Rabbi in that time and culture meant a lifetime of devotion and loyalty. With all this in mind, the fishers of fish would choose to follow Him and become fishers of men.

I love this shot because there is another boat with other fishermen in the far distance. The work began here on the shores of the Sea of Galilee from such humble beginnings.
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Plate 8 - Fishers of Men Series 3

To get the sense of this series of photographs called Fishers of Men, please start by reading the description of Series 1.

I learned a lot about fishing on the Sea of Galilee that golden morning.

Here we see our fisherman precisely throwing a steel rod into the water with perfect aim. He had already dropped his nets in the water and this rod would penetrate quickly and dive to the bottom hitting the rocks below and frighten the surrounding fish into the nets. He would do this over and over until he felt to pull in the nets.

I love the water dripping off the rod onto the sea as he flung it out beyond his boat. There is something so tactile and organic about fishing, but especially fishing here on this sacred Sea of Galilee.
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Plate 9 - Fishers of Men Series 4

To get the sense of this series of photographs called Fishers of Men, please start by reading the description of Series 1.

I think this is my favorite shot of the series that morning. The sun had been playing a little behind some morning clouds and had just come out again. The light touched the fisherman’s nets and also gave a gentle glow to his face. Our fisherman worked so hard while I was working. He was using all the methods he used every day, and yet he did not catch one fish.

I thought of the seven who, after the resurrection, had not yet caught a full vision of what their work was going to be. They said, “We go a fishing.” And they left for the Galilee, back to their old trade. That morning they saw a stranger on the shore who cried to them, “Children, have ye any meat?” They had toiled all night and had caught nothing. “We have none.” “Cast your nets on the other side, and ye shall find.”

Not yet realizing it was the Lord, they did as the stranger bid and this time their nets filled to near breaking. Peter and John both recognized immediately that it was the Lord. He is the abundant giver.
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Plate 10 - Fishers of Men Series 5

To get the sense of this series of photographs called Fishers of Men, please start by reading the description of Series 1.

We were just finishing the shoot. I signaled to the fisherman that we were done and I was so grateful. He gathered all his nets into one large bag and he just stood up and held the nets over his shoulder with a smile. He was perfectly silhouetted and there was another fishing boat in the far distance.

I love this scene. He was full of joy at this moment. It reminded me of the Lord’s words: “Remember, the worth of souls is great in the sight of God…And if it so be that you should labor all your days in crying repentance unto this people, and bring, save it be one soul unto me, how great shall be your joy with him in the kingdom of my Father!”

This morning, shooting this fisherman on the Sea of Galilee, had been absolutely magical and I felt extremely blessed by the Lord for giving me all these wonderful and timeless photographs.
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Plate 11 - Gethsemane Impression

I've always struggled to photograph the Garden of Gethsemane at the base of the Mount of Olives in Jerusalem. No photo can do it justice. How can I capture even a small part, in an image, of what happened here?

I decided to try only to capture my own impression of Gethsemane, the place of the olive press, the place where Jesus suffered so much for you and for me.

I shot looking up towards the sky. I shot looking down towards the ground. I shot through the ancient, gnarled olive trees. I tried different angles and focal lengths through the branches. Nothing was working.

How can you do justice to the One who drank the bitter cup?

I then got down at kneeling level and did a very tight focus with a low depth of field on the edge of one of the ancient trees. It just felt right and I love the result.
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Plate 12 - The Shepherd Thirsts

In our desire to capture authentic people and scenes in Israel, we hired this man, Simon by name, to be our shepherd. He was born and raised in Nazareth and has spent his later adult life, testifying of the divinity of the Savior right here in Jesus’ home town.

It’s amazing that news of Jesus’ birth in Bethlehem was first heralded by the angels to the lowliest of people—the shepherds. In class-conscious Israel, the shepherds would be called upon to spread the word that He of whom the Prophets had testified—the Messiah—was now come.

I wanted to capture the humility of a shepherd. I kept following Simon around, but then one of the other actors could see that in that hot summer weather, he had become very thirsty. She came and offered Simon some cold water from her own vessels. He started drinking and I could see this was the shot I was looking for.

I thought of those first angels saying to those shepherds: “For unto you is born this day in the city of David, a Savior, who is Christ the Lord.”

I’m so grateful that the lowly shepherds of old would be first to testify of the coming of the Good Shepherd.
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Plate 13 - Mountain of God

I'm fascinated by mountains in the scriptures. Jesus often goes to a mountain apart to pray. The transfiguration takes place on a mountain. Nephi's vision was on "an exceedingly high mountain." Jacob saw God on a mountain. The list goes on and on. A mountain is a temple in the wilderness.

One mountain seems to dominate the ancient scriptural text: Sinai. Everything about this mountain feels holy. It is extremely remote. The red granite is massive and ominous. It takes great effort to get here.

We hiked Mount Sinai beginning at 1:00 AM, guided only by starlight, to make it to the summit by sunrise. We made it, got our sunrise pictures and thought we were done--then I turned and looked to the north. This is what I captured.

Somewhere, perhaps in the confines of this photograph, the Great Jehovah said: "And...the Lord called unto [Moses] out of the mountain, saying...tell the children of Israel; Ye have seen what I did unto the Egyptians, and how I bare you on eagles’ wings, and brought you unto myself. Now therefore, if ye will obey my voice indeed, and keep my covenant, then ye shall be a peculiar treasure unto me above all people: for all the earth is mine: And ye shall be unto me a kingdom of priests, and an holy nation."
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Plate 14 - O Jerusalem Horizontal

I've shot many hundreds of pictures with numerous angles of the ancient city of Jerusalem. I've published a few of them over the years but I was never quite satisfied. On this particular day, things were different.

We were on a 24-day shoot in the Holy Land in spring. Our storyboard called for a "dramatic shot of Jerusalem from the Mount of Olives with beautiful light." Photographers spend a lot of early morning and late afternoon time shooting in golden light, but the Middle East is more difficult because there are days when the light is so flat, you only have about 30 minutes of perfect light in the morning and only another hour in the evening. During the day the light is harsh, bright and uninteresting.

We had arrived at the Mount of Olives overlook just a few minutes before sunrise. I set up the camera and then began to watch an unparalleled light show. The dawn first touched the far western part of the holy city then moved towards us building by building, holy site by holy site. This shot was taken about at the half-way point of the golden sunrise.

The foreground is covered with thousands of graves. Just beyond the wall you can see the Temple Mount with the golden Dome of the Rock which marks the site where Abraham came to offer Isaac as a sacrifice on ancient Mount Moriah.

We knew this photograph was a gift. We reflected upon the Savior's words: "O Jerusalem, Jerusalem, thou that killest the prophets, and stonest them which are sent unto thee, how often would I have gathered thy children together, even as a hen gathereth her chickens under her wings, and ye would not!"

Because of the combination of intense clouds and dramatic sky, together with the immense golden city, this photograph is offered both in a beautiful horizontal panorama (as you see here) and a stunning vertical.
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Plate 15 - O Jerusalem Vertical

I've shot many hundreds of pictures with numerous angles of the ancient city of Jerusalem. I've published a few of them over the years but I was never quite satisfied. On this particular day, things were different.

We were on a 24-day shoot in the Holy Land in spring. Our storyboard called for a "dramatic shot of Jerusalem from the Mount of Olives with beautiful light." Photographers spend a lot of early morning and late afternoon time shooting in golden light, but the Middle East is more difficult because there are days when the light is so flat, you only have about 30 minutes of perfect light in the morning and only another hour in the evening. During the day the light is harsh, bright and uninteresting.

We had arrived at the Mount of Olives overlook just a few minutes before sunrise. I set up the camera and then began to watch an unparalleled light show. The dawn first touched the far western part of the holy city then moved towards us building by building, holy site by holy site. This shot was taken about at the half-way point of the golden sunrise.

The foreground is covered with thousands of graves. Just beyond the wall you can see the Temple Mount with the golden Dome of the Rock which marks the site where Abraham came to offer Isaac as a sacrifice on ancient Mount Moriah.

We knew this photograph was a gift. We reflected upon the Savior's words: "O Jerusalem, Jerusalem, thou that killest the prophets, and stonest them which are sent unto thee, how often would I have gathered thy children together, even as a hen gathereth her chickens under her wings, and ye would not!"

Because of the combination of intense clouds and dramatic sky, together with the immense golden city, this photograph is offered both in a stunning vertical (as you see here) and a beautiful horizontal panorama.
From €5.49